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Hans Kindler: an unconditional triumph

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REPRINTED FROM
MUSICAL AMERICA VOL. XXXV No.7 NEW YORK DECEMBER 10, 1922
November 1, 1924

AN UNCONDITIONAL TRIUMPH

Figure

HANS KINDLER

Worcester Festival, Oct. 9, 1924

Mr. Kindler's admirable playing of the Roccoco Variations of Tschaikowsky was an admirable exhibition for the artist and an unconditional triumph.
Olin Downes, New York Times, Oct. 10, 1924.

'CELLIST IS TRIUMPHANT AT WORCESTER

Hans Kindler, the distinguished Dutch 'cellist, scored a distinct personal triumph when he played the Variations on a Roccoco Theme. Seldom does one hear so great a variety of tone color as he draws from his instrument. He was recalled time and again by the large and enthusiastic audience.
Springfield Union, Oct. 10, 1924.

Regarding Hans Kindler's playing it would be a pleasure to go on for a column or two. Suffice it to say that the audience manifested their delight at his unmatched artistry by giving him no less than half a dozen recalls. He possesses an apparently flawless technique, a beautiful smooth tone and a musical sense that only a great artist can boast of.
Worcester Telegram, Oct. 10, 1924.

Pittsfield Festival, Sept. 19, 1924

Man by man Mr. Kindler came nearest to pervading sensuous beauty. From the music and the instrument he drew the grave, mellow autumnal voice, the long drawn brooding phrases, the wistful cadences that wait also in Brahms' measures for horns. When, moreover, the pages were a progress of thought rather than a release of mood, Mr. Kindler failed not in warming glow.
H. T. Parker, Boston Transcript, Sept. 20, 1924.

Hans Kindler gave a noble performance of the Brahms sonata in F major, opus 99, the two middle movements of which were especially lovely.
Springfield Republican, Sept. 20, 1924.

VICTOR RED SEAL RECORDS Exclusive Management:
HAENSEL & JONES
AEOLIAN HALL NEW YORK

Object Description

Rating
Title	Hans Kindler: an unconditional triumph
Place of Publication	United States -- New York -- New York City
Date Original	1924
Topical Subject (LCSH)	Musicians Instrumentalists Violoncellists
Personal Name Subject	Kindler, Hans
Chronological Subject	1920-1930
Type (DCMIType)	Text Still image
Type (AAT)	Brochures Promotional materials
Type (IMT)	jpeg
Digital Collection	Traveling Culture: Circuit Chautauqua in the Twentieth Century
Contributing Institution	University of Iowa. Libraries. Special Collections Dept.
Archival Collection	Redpath Chautauqua Collection
Subcollection	Chautauqua Brochures
Collection Guide	http://lib.uiowa.edu/collguides/?MSC0150
Collection Identifier	MSC0150
Rights Management	Educational use only, no other permissions given. U.S. and international copyright laws may protect this digital image. Commercial use or distribution of the image is not permitted without prior permission of the copyright holder.
Contact Information	Contact the Special Collections Dept. at The University of Iowa Libraries: http://www.lib.uiowa.edu/spec-coll/contact/index/
Height (cm)	38
Number of Pages	1
Digitization Specifications	Scanned at 600 dpi, 32-bit color. Master image available in tiff format.
Date Digital	2001

Description

Title	Page 1
File Name	kindler0201.jpg
Full Text	REPRINTED FROM MUSICAL AMERICA VOL. XXXV No.7 NEW YORK DECEMBER 10, 1922 November 1, 1924 AN UNCONDITIONAL TRIUMPH Figure HANS KINDLER Worcester Festival, Oct. 9, 1924 Mr. Kindler's admirable playing of the Roccoco Variations of Tschaikowsky was an admirable exhibition for the artist and an unconditional triumph. Olin Downes, New York Times, Oct. 10, 1924. 'CELLIST IS TRIUMPHANT AT WORCESTER Hans Kindler, the distinguished Dutch 'cellist, scored a distinct personal triumph when he played the Variations on a Roccoco Theme. Seldom does one hear so great a variety of tone color as he draws from his instrument. He was recalled time and again by the large and enthusiastic audience. Springfield Union, Oct. 10, 1924. Regarding Hans Kindler's playing it would be a pleasure to go on for a column or two. Suffice it to say that the audience manifested their delight at his unmatched artistry by giving him no less than half a dozen recalls. He possesses an apparently flawless technique, a beautiful smooth tone and a musical sense that only a great artist can boast of. Worcester Telegram, Oct. 10, 1924. Pittsfield Festival, Sept. 19, 1924 Man by man Mr. Kindler came nearest to pervading sensuous beauty. From the music and the instrument he drew the grave, mellow autumnal voice, the long drawn brooding phrases, the wistful cadences that wait also in Brahms' measures for horns. When, moreover, the pages were a progress of thought rather than a release of mood, Mr. Kindler failed not in warming glow. H. T. Parker, Boston Transcript, Sept. 20, 1924. Hans Kindler gave a noble performance of the Brahms sonata in F major, opus 99, the two middle movements of which were especially lovely. Springfield Republican, Sept. 20, 1924. VICTOR RED SEAL RECORDS Exclusive Management: HAENSEL & JONES AEOLIAN HALL NEW YORK

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