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Recital
BY
ALICE EVERSMAN, Dramatic Soprano
Formerly Metropolitan and Chicago Opera
AND
ELENA de SAYN, Russian Violinist
FIRST BAPTIST CHURCH
16th and O Streets
Tuesday, March Twenty-fifth, Nineteen Twenty-four
Eight Thirty o'clock
PATRONS AND PATRONESSES.
The Secretary of State and Mrs. Hughes
The Secretary of Labor and Mrs. Davis
The Minister of Poland and Madame Wroblewska
The Minister of Bolivia and Senora Freyre
Hon. and Mrs. Frank Clague
Mr. and Mrs. W. E. Elliott
Prof. and Mrs. Alexander Henneman
Prof. and Mrs. Howard L. Hodgkins
Mr. and Mrs. N. Hollister
Dr. and Mrs. Thomas S. Lovette
Hon. and Mrs. B. G. Lowrey
Mr. and Mrs. J. V. A. MacMurray
Miss Julia Mattis
Dr. and Mrs. W. Duncan McKim
Hon. Wm. B. McKinley
Mr. and Mrs. Wm. Muehleisen
Dr. and Mrs. Wallace Radcliffe
Miss Lucy B. Rickenstein
Mr. and Mrs. Francis M. Savage
Hon. and Mrs. Samuel Winslow
Program
Sonata, G Minor
Haendel
Andante
Allegro
Adagio
Allegretto
ELENA de SAYN
Aria from Queen of Sheba
Gounod
ALICE EVERSMAN
Poeme
Chausson
ELENA de SAYN
a Sotto il ciel
Sibella
b J'ai pleure en reve
Hue
c Les Papillons
Chausson
d Allerseelen
Strauss
e Berceuse
Gretchaninow
f Floods of Spring
Rachmaninoff
ALICE EVERSMAN
Pieces in form of a Suite (first time)
Enrico Bossi
a Romance
b On the Grass
c Lullaby
d Bacchanale
ELENA de SAYN
a Bitterness of Love
James Dunn
b Pale Moon
Logan
c Iris
Ware
d Perrot
Watts
e Life
Curran
ALICE EVERSMAN
Malton Boyce at the Piano
STEINWAY PIANO BY COURTESY OF E. F. DROOP & SONS CO
Text for Foreign Songs
Gounod: Aria from Queen of Sheba
I am alone at last. In the eyes of this stranger what ardor, what light were wont to appear. How his pride and his courage rose with danger near, moving my soul yet stronger. In being queen, alas, is one woman no longer. Ah, the obscure more royal, grand, than kings in diadems all glowing. In himself his greatness growing, in his pride, born to command. Oh, sad the vow that binds me. Oh, sad the vow that binds me. Forget my heart, naught else, resigns me. I can never forget him by whose strong arm the wrong has righted, who braved the king's vain power and might. From whom the guilty fied affrighted, I can never forget him who by the genius all elated, whose hands with prophyry and gold just harmony and form created when 'mid lurid flames calm he stood, they paled before his matchless power. At my feet when I saw him lie, in my soul bloomed forth love's fair flower. Although obscure more royal, grand than kings in diadems, all glowing, in himself his greatness growing, in his pride born to command.
Sibella: Twilight Dreams
O'er the sky—the twilight pale slowly is creeping, 'mid lilies silently sleeping, and beyond in the dimly purpling meadows, as if drawn by enchantment, rise dark and misty shadows. Tell me, tell me, love, how oft have we dream'd of this land mysterious? Come then, come, love, where the dark unknown awaits us; ah, come it calls afar! Then let us go hand in hand, where quiet evening beckons afar, afar, throu' the infinite dreamland. Ah, come.
Hue: I Wept In My Dream
Love, I wept adreaming, for I deam'd thou, dear love, hadst pass'd away; when I awoke, down my cheeks flow'd the burning tears I might not stay. Love, I wept adreaming for I dream'd thou wert leaving me. Then I awoke—and through the grey hours of the dawn I wept for thee. Love, I wept adreaming, I had dream'd all thy dear love of yore; then I awoke, oh—I awoke. Now are mine eyes foredoom'd to weep thee love, for ever more.
Chausson: Butterflies
The butterflies, snowly and fleecy, fly in cloudy swarms o'er the sea. Happy butterflies were your easy flight in the azure but for me. Dost thou know, O Queen of my Heaven, my dancing maid with eyes that glow, if their light wings to me were given, tell me, canst thou guess where I'd go? No message to the rose I'd utter, but o'er fields fly hence thro' the air, then o'er your halfclosed lips I'd flutter, flow'r of my spirit, to perish there.
Richard Strauss: All Souls Day
Place at my side the purple glowing heather, the year's last roses, ere they fade away, and let us sit and whisper, love, together as once in May. Give me thy hand and let me press it fondly nor heed lest others see nor what they say, and gaze on me, love, as thou wert wont to fondly, in life's sweet May, while ev'ry grave 's aglow with autumn's roses, come to me sweet, on this appointed day, and as thy head upon my breast reposes, we'll dream of May, we'll dream of May.
Object Description
| Rating | |
| Title | Alice Eversman and Elena de Sayn |
| Date Original | 1924 |
| Topical Subject (LCSH) |
Musical groups Musicians Quartets Sopranos (Singers) Violinists |
| Personal Name Subject |
de Sayn, Elena Eversman, Alice |
| Chronological Subject | 1920-1930 |
| Type (DCMIType) | Text |
| Type (AAT) |
Brochures Promotional materials |
| Type (IMT) | jpeg |
| Digital Collection | Traveling Culture: Circuit Chautauqua in the Twentieth Century |
| Contributing Institution | University of Iowa. Libraries. Special Collections Dept. |
| Archival Collection | Redpath Chautauqua Collection |
| Subcollection | Chautauqua Brochures |
| Collection Guide | http://lib.uiowa.edu/collguides/?MSC0150 |
| Collection Identifier | MSC0150 |
| Rights Management | Educational use only, no other permissions given. U.S. and international copyright laws may protect this digital image. Commercial use or distribution of the image is not permitted without prior permission of the copyright holder. |
| Contact Information | Contact the Special Collections Dept. at The University of Iowa Libraries: http://www.lib.uiowa.edu/spec-coll/contact/index/ |
| Height (cm) | 20 |
| Number of Pages | 4 |
| Digitization Specifications | Scanned at 600 dpi, 32-bit color. Master image available in tiff format. |
| Date Digital | 2001 |
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