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Frieda Langendorff: mezzo-soprano

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Northwestern University School of Music
Evanston Illinois

FOURTH ARTISTS' RECITAL
Music Hall, Orrington Avenue and University Place
Friday evening, February 4, 1910, at 8 o'clock

Artists' Series No. 61

Nineteenth Season 1909–1910

Song Recital by
MME. FRIEDA LANGENDORFF
Mezzo-Soprano

Aria Ah! my son (From Le Prophete)
Meyerbeer

Die Himmel ruemen
Beethoven

Fruehlingsglaube
Schubert

Ich trage meine Minne
Strauss

Er ist's
Wolff

The cry of Rachel
Turner Salter

O, dry those tears
Theresa del Riego

Thy beaming eyes
MacDowell

Still as the night
Bohm

Ouvre tes yeux bleus
Massenet

I love you
Grieg

Der Lenz
Hildach

Der Schweinehirt
Swedish Folksong

Aria My heart at thy sweet voice (From Samson et Delilah)
Saint-Saens

ADMISSION ONE DOLLAR

Seats may be reserved by telephoning 4984. Students admitted on their Incidental Fee Tickets

MASON AND HAMLIN PIANO

NOTES
Third Concert of the Evanston Musical Club, Thursday, February 24, at the First Presbyterian Church.

Fifth Concert of the Artists' Series, Friday, February 25, 8 p. m. Song Recital by Albert Gregorowich Janpolski, baritone.

Notice is given that hereafter recitals at the School of Music will begin promptly at the hour announced. Late comers are requested to defer their entry until the conclusion of a movement of a number.

All recitals at the School are free to the public except when definite announcement to the contrary is made. The School will be pleased to place upon its mailing list the names of all who wish to be advised from week to week of its many student, faculty, and artists' recitals.

Object Description

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Title	Frieda Langendorff: mezzo-soprano
Date Original	1910
Topical Subject (LCSH)	Mezzo-sopranos Women artists
Personal Name Subject	Langendorff, Frieda (Mme.)
Chronological Subject	1910-1920
Type (DCMIType)	Text
Type (AAT)	Brochures Promotional materials
Type (IMT)	jpeg
Digital Collection	Traveling Culture: Circuit Chautauqua in the Twentieth Century
Contributing Institution	University of Iowa. Libraries. Special Collections Dept.
Archival Collection	Redpath Chautauqua Collection
Subcollection	Chautauqua Brochures
Collection Guide	http://lib.uiowa.edu/collguides/?MSC0150
Collection Identifier	MSC0150
Rights Management	Educational use only, no other permissions given. U.S. and international copyright laws may protect this digital image. Commercial use or distribution of the image is not permitted without prior permission of the copyright holder.
Contact Information	Contact the Special Collections Dept. at The University of Iowa Libraries: http://www.lib.uiowa.edu/spec-coll/contact/index/
Height (cm)	21
Number of Pages	1
Digitization Specifications	Scanned at 600 dpi, 32-bit color. Master image available in tiff format.
Date Digital	2001

Description

Title	Page 1
File Name	langendorff0401.jpg
Full Text	Northwestern University School of Music Evanston Illinois FOURTH ARTISTS' RECITAL Music Hall, Orrington Avenue and University Place Friday evening, February 4, 1910, at 8 o'clock Artists' Series No. 61 Nineteenth Season 1909–1910 Song Recital by MME. FRIEDA LANGENDORFF Mezzo-Soprano Aria Ah! my son (From Le Prophete) Meyerbeer Die Himmel ruemen Beethoven Fruehlingsglaube Schubert Ich trage meine Minne Strauss Er ist's Wolff The cry of Rachel Turner Salter O, dry those tears Theresa del Riego Thy beaming eyes MacDowell Still as the night Bohm Ouvre tes yeux bleus Massenet I love you Grieg Der Lenz Hildach Der Schweinehirt Swedish Folksong Aria My heart at thy sweet voice (From Samson et Delilah) Saint-Saens ADMISSION ONE DOLLAR Seats may be reserved by telephoning 4984. Students admitted on their Incidental Fee Tickets MASON AND HAMLIN PIANO NOTES Third Concert of the Evanston Musical Club, Thursday, February 24, at the First Presbyterian Church. Fifth Concert of the Artists' Series, Friday, February 25, 8 p. m. Song Recital by Albert Gregorowich Janpolski, baritone. Notice is given that hereafter recitals at the School of Music will begin promptly at the hour announced. Late comers are requested to defer their entry until the conclusion of a movement of a number. All recitals at the School are free to the public except when definite announcement to the contrary is made. The School will be pleased to place upon its mailing list the names of all who wish to be advised from week to week of its many student, faculty, and artists' recitals.

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