Creatore and His Band

              National Theatre WASHINGTON, D. C.
SUNDAY NIGHT, MAY 3, 1908

Prices: 50c., 75c. and $1.00
Seats on Sale at the Box Office

Under the patronage of Mrs. Katie Wilson-Greene



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CREATORE And His BAND
Madame BARILI, SOPRANO SOLOIST
Under the Management of MR. HOWARD PEW, 121 West 42d St., New York
SEE PROGRAM INSIDE





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Artistic and Educational
SELDOM enough in any city are music lovers privileged to listen to instrumental music of such peculiar charm and interest as that heard at the Creatore Band Concerts.  Every one admits these musical entertainments to be unique, and careful students of music in every large American city and in many places in Europe have admitted the educational value of listening to and studying Creatore in his masterly interpretation and striking performance of the grandest works of the musical masters.

Creatore is acknowledged by the most competent critics to be the grandest example of musical expression and phrasing.  The head of one of the largest music schools in America has said that Creatore does more to make people love music and realize its possibilities than any musical feature of our time.  Hundreds of parents are spending thousands of dollars annually on the musical education of their children, and they should not neglect this most essential element of the ideal.  There is imperative need of this inspiration and these glimpses of art in its higher realm which the genius of Creatore affords.




SOME LONDON PRESS LINES

London Daily Telegraph.
—The combined tone is full of color. and the brass of great richness and power.  The ensemble is up to the highest standard we have had in London, and it is a human ensemble, not of the machine-made order, while the playing is very expressive and full of point.


Pall Mall Gazette.
—Creatore's methods are entirely new, but superlatively effective.  He certainly did wonders.


London Daily Express.
—Incomparably fine—the most notable band concert London has heard.


London Daily Mail/
—The band is singularly efficient.  Its playing is remarkably finished and full of rich delicacy.


London Musical Standard.
—Creatore and his band are remarkable and supremely excellent.


London Morning Leader.
—In phrasing Creatore's band has no equal, and it contains some remarkable virtuosi.




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Excerpt from Signor Creatore's Letter on the
STARR PIANO
I have purchased a STARR Piano because of its superior tone quality and wonderfully even scale, which must appeal to me first and last in passing upon a musical instrument.

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The faultless workmanship, artistic design and exquisite tone will uphold the STARR for all time as pre-eminently the piano of America.

THE STARR PIANO COMPANY
FACTORY AND EXECUTIVE OFFICES, RICHMOND, INDIANA
Handsome catalog in color on request without cost
WAREROOMS IN ALL THE LEADING CITIES




SOME METROPOLITAN LINES

New York World.
—Received the most remarkable ovation ever accorded a like organization by any audience in this city—the biggest hit of the season.


New York Herald.
—Seldom has such enthusiasm been seen in a New York theatre.  After the sextette from Lucia the applause was deafening, and people climbed upon their chairs to cheer, etc., etc.


New York Journal and American.
—Creatore is unique among bandmasters.  He seemed to be the spirit of the music rendered.  He electrified both his musicians and his audience, and the ovation given him has not been equalled in this city.


New York Tribune.
—The magnetism which rules the band soon swayed the audience.  When Creatore shook back his hair and strained up on tiptoe to his climax, the entire house broke out, not in hand-clapping, but in spontaneous cheers.  It was a genuine tribute.


New York Times.
—An extraordinary success.  The quality of the work done by the organization and the methods of the leader have attracted universal attention.  These methods are original but supremely successful, and greatly please the audiences that crowd the theatre.


New York Daily Telegram.
—Creatore has captured music-loving New York.  Only a glance is necessary to convince an observer that New Yorkers are now music-mad.  Other leaders have been well known for years, but Creatore conquered in a night.  When he appeared on the stage for his first concort his personality attracted attention at once.  From the time he rapped with his baton on the music stand and began to lead, the house was stilled.  It appeared to the audience that the man had hpynotie influence over the band.  When the selection was completed there were shrieks and cries of Bravo which showed that he had thrilled his audience.  Since that first night Creatore has become a craze.  The audience marvels at the music, and wonders at the remarkable gestures of the man who is so completely wrapped up in his art and his labor that he never notices that an audience is listening to or watching him.


Boston Transcript.
—Every day that Creatore stays with us we appreciate as so much added to our musical life.  We wish a band such a he breathes passion into at every concert would establish itself in Boston.





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THE VOCAL SOLOIST
Sig. Creatore has engaged, as a special feature at these concerts, Miss Katherine Rosenkranz, a well-known contralto of Philadelphia, whose singing will add interest as may be anticipated from the following excerpts from the press.


Philadelphia Demokrat.
—Miss Katherine Rosenkranz sang at the concert of the Harmonie last evening.  Her voice is a contralto, rich, sympathetic, of unusual range and beautiful timbre.  Her artistic rendering of Im Herbst (Franz) and Fruhlingszeit (Becker) evoked enthusiastic applause to which she responded with the charming Sleep Little Baby of Mine.


Philadelphia Evening Bulletin.
—The solo of Miss Katherine Rosenkranz, O Dry Those Tears, was given in a forcible manner, her splendid contralto voice giving rare expression to the touching words and music.


Port Deposit Press.
—At the organ recital at Tome Institute yesterday afternoon Miss Katherine Rosenkranz, of Philadelphia, rendered several numbers in such a manner as to leave no doubt of her ability as an artist.  She possesses a contralto voice of remarkable range and sympathetic quality, and evoked such enthusiastic applause as to compel a double encore.


Philadelphia Ledger.
—Miss Rosenkranz' sympathetic contralto was heard in several well-rendered numbers, the Ave Maria, by Decatur Smith, being especially noteworthy.


Philadelphia Press.
—Miss Katherine Rosenkranz proved quite a thorough artist, with a voice of agreeable timbre.




CREATORE AND HIS BAND
Miss Katherine Rosenkranz Contralto Soloist
National Theatre Washington, D. C.
SUNDAY NIGHT, MAY 3, 1908


Program


1.
TURKISH MARCH,

Mozart


2.
OVERTURE, Mignon,

Thomas


3.
a. Allegretto from Sonatina, Op. 36, No. 2,

Clementi



b. Sarabande Espagnole of the 16th Century,

Massenet


4.
CAPRICE ITALIEN,

Tschaikowsky




INTERMISSION



5.
SEXTETTE from Lucia,

Donizetti



Solos by Signori DEMITRIS, SPORTELLI, ROSSI,
ERRICO, MANZI and PALLARIA.




6.
DANCE OF THE SYLPHS from Damnation of Faust,

Berlioz


7.
CONTRALTO SOLO, Spring Tide,

Becker




MISS ROSENKRANZ



8.
GRAND SELECTION, Pagliacci,

Leoncavallo



a. Prologue.  b. Scena and Chorus of the Bells.
c. Scena and Finale Act I.  d. Intermezzo.  e. Chorus,
Presto affretiamoci.  f. Minuetto and Serenata of
Arlecchino.  g. Scena comica, Duet and Finale.





Solos by Signori DEMITRIS, ROSSI and MANZI.







C. G. CONN BAND INSTRUMENTS, Elkhart, Ind., U. S. A., recommended by Signor CREATORE