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Cornell College
Symphony
Orchestra
DONALD KISSANE, CONDUCTOR
SEASON 1925–1926
SOLOISTS
Miss Ruth Pinkerton, Contralto
Mr. Donald Kissane, Violin
Miss Eleanor Current, Miss Mildred Luce} Violin Duet
READER
Miss Alice Tippett
Lewis Warren, Manager Leo B. Genung, Ass't Manager
PROGRAM
March and Procession of Bacchus
Delibes
(From the Suite Sylvia)
Adagio Pathetique
Godard
Scenes Pictoresque
Massenet
Minuet
Schubert
Concerto (For two violins) Largo
J. S. Bach
Miss Eleanor Current
Miss Mildred Luce
Pathetique Symphony (One Movement) Allegro con gratzia
Tschaiskowsky
My Heart at Thy Sweet Voice (From Samson and Delilah)
Saint-Saens
Lullaby
Cyril Scott
Trees
Rasbach
Miss Ruth Pinkerton
Intermission
Reading
Selected
Miss Alice Tippett
Ballet Egyptien (Suite in Four Parts)
Luigini
Deluge (Violin Solo)
Saint-Saens
Mr. Donald Kissane
Blue Danube Waltzes
Strauss
William Tell Overture
Rossini
PROGRAM NOTES
Adagio Pathetique
Godard
This piece is scored richly for full orchestra after two introductory measures of pizzicato in the strings and harp (piano) a most lovely theme is sung by the first violins on the G string, allowing the melody great possibility for sonorous expression. After twenty-nine measures a second theme is given; this is more tender than the first and is accompanied alternately by strings and woodwinds and leads into the original melody which is taken up by all the violins and French horn, accompanied by fuller orchestra. Now a third and nobler theme transcends to a dramatic climax after which the piece soon closes with a sad, yet peaceful and tranquil end.
Pathetique Symphony (Allegro con gratzia)
Tschaiskowsky
The allegro con gratzia is the lightest and most graceful movement of this symphony by Tschaiskowsky. It is written in the unusual time of 5–4 and gives a peculiar affect to the rhythm. The melody is first played by the cello which is developed further by woodwinds with a string accompaniment by bowed strings then scale passage in pizzicato. The effect of the 5–4 time is more noticable in the middle of the number when a more sombre theme is played by the violins with the accompiment of basses and cellos on the one note D, throughout. After this a repitition of the first melody alternates between strings and and woodwinds with some brass counter-melody and closes rather quietly with an answering effect by cello, flute, oboe, and clarinet and ends completely with soft pizzicato and a held note by the French horn.
William Tell Overture
Rossini
This is the overture to one of the most popular operas by Rossini. The opening depicts early dawn after which the brewing of a storm is heard, which carries on to a great length and then calms down to the andante theme of the oboe, echoed occasionally by the flute. This part leads directly into a spirited allegro which portrays a hunting scene, announced first by trumpets and entered into by the French horn. The overture ends in a grand display of joy and spirit in the hunt.
PERSONNEL OF ORCHESTRA CORNELL COLLEGE MOUNT VERNON, IOWA
Officers
President
Ralph Young
Manager
Lewis Warren
Secretary-Ass't Manager
Leo B, Genung
Librarian
Wayne Newell
Ass't Librarian
Charles Pedri
Members
FIRST VIOLIN
Elearnor Current Concert master
Ralph Young
Mildred Luce
Minnie Belle Kennedy
Beatrice Stillings
Elizabeth Havlik
Grace Kidder
SECOND VIOLIN
Pauline Kenney
Beatrice Yates
Opal Stearns
Alfreda Reed
Philip Crew
Jean Ferguson
VIOLA
Alice Tippet
Frank Endicott
Robert Hendricks
CELLO
Lucy Boyd
Eleanor Montgomery
DOUBLE BASS
Leo Genung
Wayne Newell
FLUTE
Ruth Yates
Mabel Schmeiser
CLAIRNET
Dean Risser
Pearl Atherton
OBOE
Frederick Witzigman
CORNET
Burdette Johnson
Cyril Atkins
FRENCH HORN
Ralph Tallman
Harold Gale
TROMBONE
Lewis Warren
Harry Ribble
Arthur Janssen
TUBA
Paul Ludden
PERCUSSION
Charles Pedri
George Walters
PIANO
Agnes Flostrum
ITINERARY:—Tipton, Iowa; Marengo, Illinois; Palatine, Illinois; Maywood, Illinois; Leland, Illinois; Earlville, Illinois; Amboy, Illinois; DeKalb, Illinois; Kirkland, Illinois; Rochelle, Illinois; Mount Vernon, Iowa; Cedar Rapids, Iowa; Iowa City, Iowa.
Object Description
| Rating | |
| Title | Cornell College Symphony Orchestra: Donald Kissane, conductor |
| Date Original | 1925 |
| Topical Subject (LCSH) |
Conductors (Music) Violinists Contraltos Readers Musicians Symphony orchestras |
| Personal Name Subject |
Kissane, Donald Pinkerton, Ruth Current, Eleanor Luce, Mildred Tippett, Alice |
| Corporate Name Subject | Cornell College Symphony Orchestra |
| Chronological Subject | 1920-1930 |
| Type (DCMIType) | Text |
| Type (AAT) |
Brochures Promotional materials |
| Type (IMT) | jpeg |
| Digital Collection | Traveling Culture: Circuit Chautauqua in the Twentieth Century |
| Contributing Institution | University of Iowa. Libraries. Special Collections Dept. |
| Archival Collection | Redpath Chautauqua Collection |
| Subcollection | Chautauqua Brochures |
| Collection Guide | http://lib.uiowa.edu/collguides/?MSC0150 |
| Collection Identifier | MSC0150 |
| Rights Management | Educational use only, no other permissions given. U.S. and international copyright laws may protect this digital image. Commercial use or distribution of the image is not permitted without prior permission of the copyright holder. |
| Contact Information | Contact the Special Collections Dept. at The University of Iowa Libraries: http://www.lib.uiowa.edu/spec-coll/contact/index/ |
| Height (cm) | 21 |
| Number of Pages | 4 |
| Digitization Specifications | Scanned at 600 dpi, 32-bit color. Master image available in tiff format. |
| Date Digital | 2001 |
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