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Three Centuries of American Ballads
IN COSTUME
BY
Mrs. Hollingsworth - Watkins
ASSISTED BY
Miss Lois Louise Davidson Piano Soloist
Miss Florence Mills 'Cello Soloist
Figure
MRS. HOLLINGSWORTH-WATKINS
Each Member of the Company an Artist. A Program combining the Artistic and the Popular
EXCLUSIVE DIRECTION
FRANK A. MORGAN
Manager Musical Artists
SUITE 55, AUDITORIUM BUILDING CHICAGO
Figure
MISS LOIS LOUISE DAVIDSON.
CHICAGO, NOV
. 28, '04.
After having had the pleasure of teaching many talented and advanced pupils, some of whom have become famous, it gives me the greatest pleasure to be able to state that Miss Lois Davidson stands in the very front rank with the most gifted young music students to be found anywhere. Her temperament, intelligence, rare taste, excellent technic and range throughout are such as to promise splendid things for her future.
WILLIAM H. SHERWOOD
.
Miss Davidson proved herself a marvelous pianist, masterpiece after masterpiece being given with ease, brilliancy, purity of tone and exquisite interpretation.—
Dwight Herald.
Judged in the order of its relative musical importance, one might say the piano took rank, the violin next, and then the voice. Speaking of the performance, however, it would be safe to say they were equally meritorious unless we are forgiven the sentiment in favor of Miss Davidson. After hearing the master pianists of the day, and then being enchanted by a girl of eighteen, and that at a Liszt program, too, one may be pardoned for excessive enthusiasm. She played with a success that betokened the power not only to reproduce in the sense of performing a given composition, but of re-creating it so that even the composer might discover new possibilities in his own work—Schuman acknowledged this to Liszt once—and Liszt was a colossus.—
Musical Etude.
Miss Davidson plays brilliantly and with delicacy. She has a great grasp of the mental and physical requirements of piano playing. Her entire program, which required the strength and power of a virtuoso to render, was given with distiuct[sicdistinct] success.
—
Morning Musical Club, Ft. Wayne Journal-Gazette.
Chopin and Liszt lived again last evening in Miss Lois Davidson, the gifted young pianist, and passed away only when the sound of melody ceased and the talented young virtuoso bowed her good-night to the enthusiastic audience.—
Graphic Sentinel, Lake City, Minn.
The Evening Wisconsin, Jan. 25, '05.
The program,
Three Centuries of American Ballads,
given by W. C. E. Seeboeck, of Chicago, pianist, and Mrs. Hollingsworth-Watkins, a New York soprano whose lovely voice and charming personality made a lasting impression upon those so fortunate to hear her when she sang before the Woman's Club last year, was worthy the artists that gave it. A more charming program has seldom been heard here. Mrs. Hollingsworth-Watkins possesses a voice of most lovely quality—very musical, sympathetic and beautifully schooled; moreover, her diction is delightful, and even in the crowded hall every word was clearly understood. From the group of Colonial songs to those of the present day, every number was gracefully and convincingly sung.
Mrs. Hollingsworth-Watkins possesses a voice of rare beauty and uses it with intelligence; as a ballad singer she certainly has no superior.
ALFRED G. ROBYN
, St. Louis.
Chicago Chronicle.
A smooth, musical soprano voice of wide range, possessing an unusual gift of expression in song, voice, personality and costume innovation combined to make her recital peculiarly fresh and agreeable.
Chicago Daily News.
Mrs. Hollingsworth-Watkins sang most beautifully at the benefit concert at the Auditorium.
Chicago Record-Herald.
Mrs. Hollingsworth-Watkins, whose voice is a soprano of wide range and deeply sympathetic quality, is performing a valuable service both to music and history by her interpretations of the songs of other days. It is by the awakening of interest in such gentle aspects of a nation's social and domestic life that the annals of that nation are endeared to its citizens.
Cleveland Leader.
Mrs. Hollingsworth-Watkins' voice is of beautiful quality.
Figure
MISS FLORENCE MILLS.
MISS FLORENCE MILLS has studied at the Southern Conservatory of Music, under Josef Cadek, a graduate of the Prague Conservatory of Music, and later under the distinguished 'cellist, Bruno Steindel, of Chicago. Her repertory is large, and she has gained an enviable position as a 'cellist in this country.
Miss Mills has splendid control of her instrument, the 'cello. Her technic is clear and her tone broad, full and beautiful. Her interpretation of the Chopin nocturne was delightful and showed a depth of feeling unusual in so young a player.—
The Times, December 5, 1903.
*** She has mastered entirely the great instrument and draws from it the richest, most soul stirring melody. Her true and even bowing was a revelation to the audience, and the abandon with which she plays shows fine musical temperament.—
The News, Chattanooga, Tenn., June 14, 1902.
Miss Mills was marvelously pleasing in the
Scherzo
by van Goens. Her fire and abandon in handling the 'cello is rarely equaled by professional players, and her musical temperament is apparent to the merest observer, while it inspires those of sympathetic nature in a wonderful manner.—
The Daily News, May 26, 1903.
Mrs. Hollingsworth = Watkins
New York Press.
Mrs. Hollingsworth-Watkins' concert, presenting
Three Centuries of American Ballads,
supplied a distinct want of a large portion of the musical public and left her enthusiastic audience in an Oliver Twist mental attitude, calling for
more.
… Special mention should be made of the manner in which
The Lass With the Delicate Air
was rendered by Mrs. Hollingsworth-Watkins' exquisitely sweet and remarkably flexible voice. In Chadwick's
Allah
her dramatic power made itself felt, as indeed it had at times throughout the program. In
Moods
(song cycle), Rogers, the four renderings were given with peculiar power.
The Sentinel, Milwaukee, Wis.
A lyric soprano of much grace of manner.
The Herald, Titusville, Pa.
A program of exceptional excellence.
Mrs. Hollingsworth-Watkins is a Southern nightingale, whose voice makes you think of the carolling of birds in the oleanders at dawn, so full-throated it is, so full of melody and the very joy of living. She has, too, the dramatic instinct to an unusual degree, and she gives the old English ballad—the heart songs of the people for generation after generation—with a touch that is so tender and so sympathetic, a gayety and coquetry and a pathos that leaves the audience trembling between a tear and a smile.
DOROTHY DIX
, New Orleans, La.
The Tribune, South Bend, Ind.
A rare musical treat, which was thoroughly enjoyed.
Daily Republican-Times, Ottawa, Ill.
Mrs. Hollingsworth-Watkins' beautiful voice and gracious manner charmed all present.
Songs of Colonial Days
Figure
COLONIAL COSTUME.
Send Me a Lover, St. Valentine
Sweet Nelly, My Heart's Delight
The Lass With the Delicate Air
Good Morning, Gossip Joan
When Daisies Pied
Under the Rose
Fairy Flowers
To Phyllis
Black-Eyed Susan
New Year Song
Ah, Willow
Songs of Ante=Bellum Days
'Tis But a Little Faded Flower
Thomas
Molly Bawn
Lover
Gaily the Troubadour
Bayly
Flow Gently, Sweet Afton
Spilman
Mary of Argyle
Nelson
Annie Laurie
Lady Scott
Believe Me if All Those Endearing Young Charms
Stevenson
Oh, Whistle and I'll Come to You
Bruce
Figure
ANTE-BELLUM COSTUME.
Songs of the Present Day
Bird of My Lady's Bower
Stanley Smith
The Nightingale in the Wood
(Written for Mrs. Watkins)
Grant-Schaefer
Allah
Chadwick
The Blue Bell
McDowell
I'm Wearin' Awa'
Foote
Cloud Shadows
Hammond
Spring
Beach
The Woodpecker
Nevin
Moods (Song Cycle)
a Years Have Flown
b Who Knows?
c Not from the Whole Wide World
d You
Rogers
Romaika
Park
Object Description
| Rating | |
| Title | Three centuries of american ballads: in costume |
| Date Original | 1900/1909 |
| Topical Subject (LCSH) |
Singers Costume Pianists Violoncellists |
| Personal Name Subject |
Hollingsworth-Watkins, (Mrs.) Davidson, Lois Louise Mills, Florence |
| Chronological Subject | 1900-1910 |
| Type (DCMIType) |
Text Still image |
| Type (AAT) |
Brochures Promotional materials |
| Type (IMT) | jpeg |
| Digital Collection | Traveling Culture: Circuit Chautauqua in the Twentieth Century |
| Contributing Institution | University of Iowa. Libraries. Special Collections Dept. |
| Archival Collection | Redpath Chautauqua Collection |
| Subcollection | Chautauqua Brochures |
| Collection Guide | http://lib.uiowa.edu/collguides/?MSC0150 |
| Collection Identifier | MSC0150 |
| Rights Management | Educational use only, no other permissions given. U.S. and international copyright laws may protect this digital image. Commercial use or distribution of the image is not permitted without prior permission of the copyright holder. |
| Contact Information | Contact the Special Collections Dept. at The University of Iowa Libraries: http://www.lib.uiowa.edu/spec-coll/contact/index/ |
| Height (cm) | 28 |
| Number of Pages | 4 |
| Digitization Specifications | Scanned at 600 dpi, 32-bit color. Master image available in tiff format. |
| Date Digital | 2001 |
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