This type of mask, called kouassi gbe or kple kple is one of a pair of identical masks which represent the junior male persona of the goli dance (Vogel 1978). The mask is held firmly against the wearer¹s face by a bar of wood which he clamps...
Baule figures may serve as resting places for nature spirits (asie usu) and spirit spouses (blolo bian), Both types of spirits must be offered figures of beautiful human beings or they will refuse to reside within a figure. Only the handling of a...
Guinea Coast Based on a report published at the turn of the century (Delafosse 1900: 443) that beautifully carved ³human figures are placed on the tomb or grave of the deceased or even in the tomb, so that the spirit may find a place of repose,²...
Small Baule face masks such as this one (and its female counterpart, not exhibited) are worn in Goli dances which the Baule borrowed from their Mandé speaking neighbors the Wan. These are entertainment dances to celebrate harvests, and the visits...
Elaborately carved wooden combs are presented to Baule women by their male relatives or friends to commemorate important events, including puberty rites, weddings, and births. The imagery of the gift may refer to the closeness and warmth of a...
The Baule carve two important types of anthropomorphic figures: "spirit spouses" represent the ³spouse² that everyone had in the other world before he or she was born into this one," and may be either male or female. "Other figures, less...
The Baule produce a range of very distinctive mask types. The fact that they are the only Akan group to use masks leads to speculation that they may have adopted and adapted the masks of several of their neighbors. This Baule version of the...
South African author Maxine Case discusses Miriam Tlali and Bessie Head, two former South African women IWP participants. She then gives a brief history of apartheid and closes by stating that she is grateful for the efforts of authors such Tlali...
Kavery Nambisan describes the migrant writer's thought-space, not losing rootedness whether traveling in the real or in the imagination. Saša Stanišić's talk is titled, "How You See Us: on Three Myths about Migrant Writing," and covers the myth...