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: Chandrahas Choudhury: The Classical Novel, On a Fall Morning In Iowa City

: Mara Genschel: [untitled]

: Kyaw Win: Writing Sample

: Amina Zaydan: Migrant second time around

: Mariano Tenconi Blanco: Fiction in the Age of Film

: Nikola Madzirov: Writing Sample

: Chan Soon Park: Season of Chrysanthemum

: Rogelio Saunders: Writing Sample

: Barlen Pyamootoo: Of White Doves with Dirty Work

: Ruel Johnson: Beyond the Dynamic of Text and Film : [Literary] Fiction and Neo-Mimesis

: Chae Won Lee: Wish to Become an Unforgettable Flower

: Anas Atakora: Poetically I Dwell on this Earth

: Mookie Katigbak-Lacuesta: Ecstatic Caprices

: Maryam Ala Amjadi: Writing Sample

: Andrei Grishaev: Writing Sample

: Van Cam Hai: From the Meeting of Chuang Tzu, Franz Kafka and Van Cam Hai

: Xudong Hu: Writing Sample

: Lee Jang Wook: Writing Sample

: Yael Globerman: Writing Sample

: Khaled Alkhamissi: Exodus

: Virginia Suk-yin Ng: Upstairs Downstairs

: Yusi Avianto Pareanom: Finding a Voice through the Genres

: Shenaz Patel: A Small Paper Boat

: Ko Ko Thett: Bloody Tongue [at Language's Edge]

: Courtney Sina Meredith: Le Savali: The Journey

: Ukamaka Olisakwe: Right to Refuge, Right to Move

: Amanah Mustafi: Real Work

: Mortada Gzar: 24 True Lies per Second

: Alice Yousef: Do we let the Strangers in?

: Jianing Zhou: A Perpetual Teen Spirit

: Hao Guang Tse: Real Work

: Tetiana Troitskaya: Lab UA: Terra Incognita

: Henriikka Tavi: What's the Shape of Your Paragraph?

: Galit Dahan Carlibach: The Ikea Catalog of Literature

: Rachel Rose: The Art of Mourning

: Wasi Ahmed: World Literature Today

: Stephanos Stephanides: Writing on the Edges of Language

: Yaroslava Pulinovich: Refugees

: Vladimir Poleganov: Fear, Failure, Films, and Literature

: Yui Tanizaki: A Sense of Place

: Sara Baume: The Ormonde

: Nael Eltoukhy: Eternity Kills

: Raed Anis Al-Jishi: Color Your Poem with Music

: EuGene Kim: Writing and Music

: Nisah Haron: This Too Shall Pass

: Antônio Xerxenesky: The Blind Don

: Aki Salmela: Points in Time -- Writing as a Surrogate Immortality

: Marie Silkeberg: A Listening Language

Pages